Con Spirito Music offers highly singable sacred choral and vocal music for worship, including hymn settings, anthems, and vocal solos.
Each downloadable choral title is made available to you as a complete set (voices/accompaniment score plus any additional instrumental parts in one PDF file) for a fixed price; no minimum order quantity applies. Upon purchase of the music, you may reproduce as many copies as needed for your ensemble. Please see our Copyright page for additional information.
Choral Music
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- All People That on Earth Do Dwell (SATB choir, congregation, organ, brass quintet) — festival hymn setting of William Kethe’s text and “Old Hundredth” psalm tune
- Come, Holy Ghost (SATB choir, organ) — a short traditional prayer for inspiration
- Come, Thou Long-Expected Jesus (SAB choir, organ) — new setting of Charles Wesley’s venerable text
- Direct Us, O Lord (SATB choir, organ) — a prayer for guidance, from the Book of Common Prayer
- God is Love: Let Heav’n Adore Him (unison/SATB choir, piano) — comforting text set to 19th-century Sacred Harp hymn tune, BEACH SPRING
- Have, Have Ye No Regard? (baritone solo, SATB choir, organ) — Good Friday anthem on Robert Herrick’s “His Saviour’s Words, Going to the Cross”
- In the Bleak Midwinter (TTBB choir) — Gustav Holst’s hymn tune, “Cranham,” to text by Chrstina Rossetti
- Lo, He Comes With Clouds Descending (unison voices, organ, trombone) — Advent hymn
- O Come, O Come, Emmanuel (SAB choir, piano, solo flute or flugelhorn) — unique setting of the venerable Advent hymn
- O Sons and Daughters (unison voices, organ, brass quintet, handbells, timpani) — Easter hymn
- Of the Father’s Love Begotten (SATB choir) — richly theological text to beautiful Medieval plainchant, “DIVINUM MYSTERIUM”
- Remember, O Thou Man (SATB, organ) — poignant, affecting anthem for Advent
- Salzburg (unison voices, organ, brass quintet) — festival hymn setting of “At the Lamb’s High Feast We Sing”
- Take My Life, and Let It Be (two-part mixed voices, piano) — easily singable contemporary setting of Frances Havergal’s consecration hymn text
- Thy Strong Word (unison congregation/choir, organ, brass quintet) — festival hymn setting of the tune “Ebenezer” for the text by Martin Franzmann
- Unto the Hills: Psalm 121 (SATB, piano) — new music to metrical paraphrase by John D. Campbell (1845-1914)
Vocal Solos
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- Take My Life, and Let It Be (soprano, organ) — beloved hymn text in a new setting
- Three Solos for Advent, Christmas, Epiphany (soprano, organ) — includes the German Advent carol, “Blest Mary Walks Amid the Thorn;” the familiar “Lo, How a Rose E’er Blooming” with traditional and contemporary harmonizations; and the Epiphany hymn, “Saw You Never in the Twilight,” set to the Welsh lullaby, “Suo Gan.”
- Two Hymns on a Tune by Claude Goudimel (soprano, organ) — includes “To My Humble Supplication” (text: Joseph Bryan) and “Virgin-Born, We bow Before Thee” (text: Reginald Heber)